• Insight And Analysis On The Characters: Their Inner Struggles And Development

1. Nora Helmer

At the beginning of A Doll’s House, Nora seems completely happy. She responds affectionately to Torvald’s teasing, speaks with excitement about the extra money his new job will provide, and takes pleasure in the company of her children and friends. She does not seem to mind her doll-like existence, in which she is coddled, pampered, and patronised.

As the play progresses, Nora reveals that she is not just a “silly girl,” as Torvald calls her. That she understands the business details related to the debt she incurred taking out a loan to preserve Torvald’s health indicates that she is intelligent and possesses capacities beyond mere wifehood. Her description of her years of secret labor undertaken to pay off her debt shows her fierce determination and ambition. Additionally, the fact that she was willing to break the law in order to ensure Torvald’s health shows her courage.

Krogstad’s blackmail and the trauma that follows do not change Nora’s nature; they open her eyes to her unfulfilled and under appreciated potential. “I have been performing tricks for you, Torvald,” she says during her climactic confrontation with him. Nora comes to realise that in addition to her literal dancing and singing tricks, she has been putting on a show throughout her marriage. She has pretended to be someone she is not in order to fulfill the role that Torvald, her father, and society at large have expected of her.

Torvald’s severe and selfish reaction after learning of Nora’s deception and forgery is the final catalyst for Nora’s awakening. But even in the first act, Nora shows that she is not totally unaware that her life is at odds with her true personality. She defies Torvald in small yet meaningful ways—by eating macaroons and then lying to him about it, for instance. She also swears, apparently just for the pleasure she derives from minor rebellion against societal standards. As the drama unfolds, and as Nora’s awareness of the truth about her life grows, her need for rebellion escalates, culminating in her walking out on her husband and children to find independence.  

2. Torvald Helmer 

Torvald embraces the belief that a man’s role in marriage is to protect and guide his wife. He clearly enjoys the idea that Nora needs his guidance, and he interacts with her as a father would. He instructs her with trite, moralistic sayings, such as: “A home that depends on loans and debt is not beautiful because it is not free.” He is also eager to teach Nora the dance she performs at the costume party. Torvald likes to envision himself as Nora’s saviour  asking her after the party, “[D]o you know that I’ve often wished you were facing some terrible dangers so that I could risk life and limb, risk everything, for your sake?”

Although Torvald seizes the power in his relationship with Nora and refers to her as a “girl,” it seems that Torvald is actually the weaker and more childlike character. Dr. Rank’s explanation for not wanting Torvald to enter his sickroom—”Torvald is so fastidious, he cannot face up to anything ugly”—suggests that Dr. Rank feels Torvald must be sheltered like a child from the realities of the world. Furthermore, Torvald reveals himself to be childishly petty at times. His real objection to working with Krogstad stems not from -deficiencies in Krogstad’s moral character but, rather, Krogstad’s overly friendly and familiar behavior. Torvald’s decision to fire Krogstad stems ultimately from the fact that he feels threatened and offended by Krogstad’s failure to pay him the proper respect. Torvald is very conscious of other people’s perceptions of him and of his standing in the community. His explanation for rejecting Nora’s request that Krogstad be kept on at the office—that retaining Krogstad would make him “a laughing stock before the entire staff”—shows that he prioritizes his reputation over his wife’s desires. Torvald further demonstrates his deep need for society’s respect in his reaction to Nora’s deception. Although he says that Nora has ruined his happiness and will not be allowed to raise the children, he insists that she remain in the house because his chief concern is saving “the appearance” of their household.

• Views And Opinion Of The Plot

My views on the plot is that women who have limited freedom when it comes to their priorities as wives to their husbands, they have to be housemaids and home cooks to attend to their children's needs if they have any. Women also have to be guided by their husbands to be able to do anything in the outside world so men belittle their roles in any authoritative situation.

Women are also unaware of the dangers the world possesses as they are sheltered and covered by the protective natures of their husbands to only limit what they know inside the home as oppose to the outside society. Husbands are also treating women as if they have no sense of independency in their thinking and potential to complete hardcore tasks.

My opinion is that Nora Helmer to bustle out of her shell and has the courage to leave her nuisance husband, Torvald Helmer and her beloved children behind to venture for herself and find her true purpose in life. Even though, it seems bizarre and incredulous to leave your children behind as a mother today but not a surprise to leave a deceitful husband. There are times no where you have the power to decide your fate in a marriage that only saddens the other individual to operate yourselves and assets, and not be looked down upon or talked abuts it is an individual decision to a person's happiness.